That’s why I always thought the Starks theme should be emotional, sad,” he explained. Goodbye Brother was written for when Jon says goodbye to Bran and this Goodbye sets the tone, a tone of sadness. “My job is to highlight the journey in the characters with my music,” the composer explained in an interview. The melancholy of the North is translated into the Starks theme, which is in Winterfell and Goodbye Brother, among others. And he understood the characters perfectly. The only advice he received was “not to use flutes”. Ramin worked with his mentor orchestrating The Pirates of the Caribbean, before going solo to score his own.įor each theme, Ramin tried to use instruments that were consistent with the action. Ramin created the themes for each house linked to the overall theme, “the Throne”, and each house melodic line is completely moving and the Game of Thrones soundtrack is, with justice, considered a watershed in the history of entertainment and earned awards (and adoration) for the German composer, of Iranian descent, one of the disciples of the brilliant Hans Zimmer. It is no exaggeration to say today that Ramin Djawadi‘s music is one of the essential elements of the series’ success and the guarantee for fans of the continuity and quality of House of the Dragon. This was 11 years ago when it wasn’t common for a TV series to have such outstanding orchestra and themes. “Did you hear the soundtrack?” she asked me excitedly.
But, as soon as the credits rolled in, my sister called me. I start with the confession that I have missed the first episode of Game of Thrones and watched it as a rerun.
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